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BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)
BSG
3:15 Est. Play
Time
34 Measures
1,126Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute,
Vln
1		 Treble 18 0 6 7 100%
Violin Treble 18 0 6 7 100%
Violin
2		 Treble 18 0 5 6 97%
Contrabass Bass 18 0 5 5 94%
Vcl/Continuo Bass 18 0 5 5 94%
Viola 17 0 5 6 94%
Harpsichord Treble 21 18 7 12 44%
Bass 18 0 5 5 92%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
Learn Continuo Realization! by BSG, Chap. 3: J. S. Bach: Flute Sonata in B minor (BWV 1030), II
BSG
1:51 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100%
Hpschd. Treble 20 40 6 6 92%
Bass 19 1 3 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 20 0 6 7 100%
Hpschd. Treble 20 40 6 6 92%
Bass 19 1 3 5 95%
 
J. S. Bach: Dona nobis pacem (BWV 232 final mvt)
BSG
3:12 Est. Play
Time
46 Measures
2,802Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Strings
1		 Treble 12 0 2 4 98%
Treble 14 0 3 5 93%
Bass 22 1 6 5 100%
15 0 3 5 100%
CtoR Treble 17 45 4 7 100%
Bass 18 0 5 6 100%
Tenor Treble 15 0 3 5 100%
Alto Treble 12 0 2 4 98%
Continuo Bass 20 1 6 5 98%
Contrabass Bass 20 1 6 5 98%
Bass Bass 19 0 6 5 93%
Flute Treble 14 0 3 5 93%
Soprano Treble 14 0 3 5 93%
Oboe Treble 18 34 5 6 82%
Trombe
1
amp;amp;
2		 Treble 11 0 1 5 51%
Timpani Bass 2 0 0 5 22%
Tromba
3		 Treble 11 0 1 5 22%
 
J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)
BSG
1:51 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 21 0 8 6 94%
Bass 17 0 6 6 100%
Bass 12 0 3 5 100%
Bass
Trombone		 Bass 12 0 3 5 100%
 
J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.
BSG
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714
BSG
1:22 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 5 7 91%
Viola Bass 10 0 3 4 68%
Violoncello Bass 16 0 5 5 68%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)
BSG
3:22 Est. Play
Time
57 Measures
1,948Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
Oboe Treble 21 0 7 7 96%
Violin Treble 24 0 9 8 93%
Flute Treble 21 0 8 8 91%
Bass Bass 16 0 5 7 60%
Tenor Treble 18 0 6 7 60%
FluteXEC Treble 8 0 4 1 9%
OboXec Treble 5 0 2 1 7%
 
C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)
BSG
4:55 Est. Play
Time
104 Measures
1,402Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
Bass 13 6 2 6 100%
Voice Treble 10 0 0 6 75%
Bass 10 0 0 6 75%
Bass
Trombone		 Bass 16 0 2 5 25%
Descant Treble 10 0 0 5 25%